It wasn’t worth it.

And I hardly need an excuse to visit London.

Tube in Tube out.

Let me explain what I’m talking about. Together with Ton I was invited to join the Somesso/Headshift/Dachis Social Business Summit in London last Thursday. The program looked promising: only two speakers to kick-off the day, including the always inspiring JP Rangaswami), followed by a discussion amongst the participants. Participants were selected, so it could only be a great and knowledgeable crowd

(…) to plot the future of Social Business Design. (source)

I followed part of the online discussion around Social Business as a term and was intrigued. I thought the event in London would be a good opportunity to find out more about it and see if there is any relevance for me in this ‘trending topic’.

I would have loved to give you a content summary of the day with some insights from my side about social business, but it turned out to be a very confusing day.

I had a really hard time grasping what everyone was talking about. The language used was so abstract and often meaningless that I felt clueless what we were discussing. At first I thought it was just me, since I’m hardly dealing with large corporations these days, but others who were in the same discussions with me turned out to be just as clueless.

Although people were sharing stories throughout the day, to me it felt that there was no real exchange of ideas and insights. I saw few animated discussions. You won’t believe how many people were checking their phones even during small group discussions. Signs of an uninspired and uninvolved crowd.

Despite the lovely time I had visiting the Tate modern, drinking beer with Johnnie, dining with Paolo and Monica, ‘after-partying’ with the Danish guys, shopping and finally lunching with a friend that now lives there, the balance of this trip to London tips over to the negative side. It will make me seriously reconsider spending money on flights and hotel for any such event in the future.

Johnnie, I get your point more and more.

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Bye, bye oboe

When I was nine my parents brought home an oboe. I knew what it was, since both my parents played in an orchestra and music was a big deal in our family. They borrowed the oboe from their orchestra for a week to see if I liked it or not.

I held the black wooden instrument in my hands, took a deep breath, blew on the reed and to everyone’s surprise I produced a sound. Not half bad for a first time. Hardly anyone manages that! It looked like a perfect match.

So I took lessons and joined the local youth orchestra. Only two other girls played oboe in my village back then, I was the youngest. We all played in the same wind orchestra.

I managed to learn the basics rather quickly. First in Emmen, since there was no teacher at the local music school. Later the three of us took lessons with a wonderful lady that came to our village and who often arranged for group lessons.

I loved playing together, but I never cared much for practicing. When the two older girls left after graduating high school, I was the only one left in the village to play oboe. It diminished my love for playing and practicing even further, but my teacher accepted it and made lessons a fun half hour by playing challenging duets together.

The reason for an exhausting weekend ;)When I was about sixteen I was selected to become the first oboist in a regional orchestra, the Drents Jeugdorkest. Three years I played there. I even managed to keep playing there the first year I was at university. Once a month on Saturday I would travel to remote places in the province Drenthe to rehearse and give concerts with this wonderful group of people. In the end it was the only practice I got every month and I couldn’t keep up with the level of the group. I said goodbye to the orchestra after a summer tour in Rostock.

Only two times after that, during summer projects abroad when I filled a gap in my parent’s orchestra as a second oboist, I rehearsed and played. For the last, six?, years my oboe was just lying around the house, untouched.

Two weeks ago I started practicing again for a reunion concert by that youth orchestra I have such warm memories of. While practicing I noticed that the joy I once had in playing oboe, died since the last time I picked up the instrument. Last week I decided that this reunion concert would be the last one with my oboe. I’m done with it and will sell the oboe my parents gave to me. I’ll pass it on to someone who loves and needs it.

Wooldrik, 15 mrt 2010With a very loud concert I payed a worthy tribute to myself and my oboe. A pair you will never see again on stage. My sore lips are proof of my effort. After 22 years I’m done with it and I’m looking forward to challenge myself and start learning something else for the next 20 odd years.

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Back to back interviews are exhausting

Wednesday I’ve been filming the FabLab managers in Groningen for my documentary during the FabTafel held there. It is a 6-weekly gathering of the local FabLab-community to talk about all things related to FabLab. It was a perfect opportunity for me to interview the managers in one go.

FabLab Groningen is a new Lab, officially opening end of this month. It houses in an building called Het Paleis (The Palace). A wonderful building filled with beginning entrepreneurs and artists located in an area of the city that is still under construction. An inspiring and creative surrounding and a perfect location for a FabLab.

I have now loads of interview material that I have to go through. It will be a challenge to keep the documentary short :)

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FabLab Stories

Two weeks ago I went to the FabLab in Utrecht and recorded stories by the people working there during that day.

I collected six stories in total, enough to showcase stuff in the documentary. You can watch them all on the FabLabChannel @ 23video. Note that only one of them is in English, the rest in Dutch without subtitles (will follow!).

The one below is my favorite. It’s the story from a guy that came into the Lab for the very first time. He’s a college teacher (arts) and therefore works almost all the time when the Lab is open. Now, it was a school holiday and he arranged something for the kids so he could come here. He draws beautiful patterns by hand and this time he scanned the pattern into Corel Draw and printed it in plywood.

It came out almost perfect. How’s that for a first time visit!

(the video below is in Dutch and doesn’t have subtitles, yet)

FabLab Stories: drawing patterns (Dutch) from Elmine Wijnia on Vimeo.

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Fresh lick of ‘paint’ for this space

A chore long overdue, upgrading Wordpress on this site, combined with an enduring cold turned out to be a good reason to redesign this site.

Today I came across Olle’s site and he uses the Thematic theme framework. I loved the simpleness. After upgrading I installed this theme and added my personal touch to it, resulting in what you see now.

The colorbar is a variation on the colours I used for my new business site: elminewijnia.eu. A while back I wrote about letting go of the name Skallagrigg for my company name and migrate my online business-face elsewhere. And so I did. The .eu-domain is now a mostly static, bilingual site where I describe my services, showcase some of my work and tell more about me. So if you’re still wondering what I do for a living, you know where to go.

This will remain my blog. Indefinitely :)

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How 2D art can become 3D

Watch Kustaa Saksi tell about how he transformed one of his illustrations into a 3D object (in de second half of the video)

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A story on open innovation and FabLab

Joris van Tubergen talks on open innovation and FabLab from Elmine Wijnia on Vimeo.

The robot was created by Edwin Dertien: http://edwindertien.nl/
More on the robot in English: http://hackaday.com/2009/02/20/flatpack-walker/
Recorded at ProtoSpace: http://protospace.nl

____
I created this as part of the longer documentary that I’m working on. One of the decisions I have to make is whether I ask the Dutch speaking people I will interview to tell their story in English. I’m not a fan of that, because you get language-poorer stories than when people would be talking in their native tongue.

So the consequence is that I need subtitles when I do the interviews in Dutch, since I want to show it to an international public.

This article by Andrew Balis convinced me that it could be done properly in Final Cut.

My workflow:
1. I exported the audio-file of the clips I chose at a 60% pace and used that to transcribe the story. Slowing the audio down was crucial since it gave me more time to write while listening and stop the file every now and then without having to rewind all the time.

2. Then I translated the text into English.

3. I created two subtitle templates for 1 and 2 lines, according to the above mentioned article.

4. I copied the text per (part of a) sentence in a text-overlay using the template, listening carefully to match the English text with the spoken content.

A lot of work, but since this clip is 2m21 it didn’t take as much time as I thought it would before I started.

If you have any feedback on the subtitles, like pace, size, or the translation itself, please let me know! It is very important to me that it works for most people.

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Experimenting with stop-motion

It’s been on my list for a while now, to experiment with stop-motion. Creating a viral for SHiFT using Lego is the perfect excuse to work a tad late. 73 pictures each displayed for 3 frames long. Here’s the result.

SHiFT 2010: DIY from Elmine Wijnia on Vimeo.

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Compromising is hard yet rewarding

At last I managed to publish part of the interview with Lilia I did in May last year. As I explained back then, there were some technical problems, especially with the sound, that makes the material less attractive for use.

On and off I’ve been working on a solution, but without a result so far. Weird things happened while remarrying the separately edited audiostream with the videostream.

A couple of weeks ago I decided to compromise and just use the material as is and start pushing out snippets of the four interviews I have so far (it’s only the first two that have the sound issue, by the way).

As much as I hate to have published this snippet (although, snippet … it’s 7:30 minutes) with an annoying hum, I’m very happy to be able to start showing you some of the material. So without further ado I encourage you to read about and watch part of the interview with Lilia on my In Full Flow project-blog. Happy viewing :)

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Yammering without a company

You may have heard of Yammer:

Yammer is a tool for making companies and organizations more productive through the exchange of short frequent answers to one simple question: ‘What are you working on?’ (source)

I would describe Yammer as the in-house Twitter for companies, with more than 140 characters allowed.

Since I don’t work for an organization or company I haven’t had the chance to experiment with it. You can only form a network when using a valid company email address, meaning all with the same domain-name. This is to prevent ’strangers’ to get into the network.

However, last week my co-worker Joitske suggested for me to take part in an initiative by her and Christian to join the ‘non-existing organization for independent consultants net4dev.org’. By assigning people an email address using that domain we can now exchange more in depth about work, without having to worry clients (or family) ‘listening in’ to what you’re saying.

We’re only using it for a week and it needs more members (interested?), but I can see this can grow into a great networking tool for us independent workers.

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  • About this blog


    This is my personal blog which I started in 2003. At first it was called Communigations, a variation on Communicative Investigations. The blog transformed itself more into a personal investigation than being a blog on communication and therefore needed a new name.

    As a fencer, the name of this blog reflects how I write my thoughts into coherent stories, fence them off from all the sidepaths and rapidly go back and forth, covering various topics that interest me.

    Read more about me or about my work at elminewijnia.eu

    Get in touch with me and find me online.